ON EDGE : a collage invitational
Todd Bartel, All That Part of a Picture Which is Not of the Body or Argument, 16 1/4 x 13 1/2 inches, burnished, interlocking collage, 19th-century papers, end pages, photo-transfers on end pages, Mimeograph, improperly exposed/fixed photo remnants, Italian letter remnant (c. 1880), yes glue, pencil, antique cellophane tape, archival document repair tape, and dictionary definitions, 2011
Todd Bartel, Another Scapegrace Turning Point (Cole’s Erratics), 22.375 x 16.625 inches, interlocking collage; recto: rust transfer on joined 19th-century end pages, inserted xerographic faux engraving of Thomas Cole’s 1836, The Course of Empire—The Arcadian or Pastoral State, inserted red division lines from Bridge scoresheet, xerographic prints on 21-century end page papers of the definition of “watershed” (Webster’s 1974, New Oxford Dictionary of English 1998), pencil; verso: xerographic transfers, pencil and color pencil, artist-made frame, 2025
Todd Bartel, Another Scapegrace Turning Point (Cole’s Erratics) (verso), 22.375 x 16.625 inches, interlocking collage; verso: xerographic transfers, pencil and color pencil, artist-made frame, 2025
Todd Bartel, Sublime Climate, 13 1/4 x 12 1/2 inches, burnished, interlocking collage, 19th-century papers, end pages, book engravings, dictionary definitions, photo-transfers on end pages, map graticules, yes glue, archival document repair tape, and Alfred DeCredico’s collage remnants, 2011
Todd Bartel, Set Apart or Belonging To An Individual or A People, 23 1/2 x 11 1/4 inches, burnished, interlocking collage, 19th-century papers, end pages, photo-transfers on end pages, yes glue, gouache, pencil, archival document repair tape, book engravings, and dictionary definitions, 2011
Todd Bartel, Magnificent Desolation, 19.875 x 40.5 inches, burnished interlocking collage; verso: India Ink, pen, pencil and xerographic transfer on maps, document repair tape; artist-made frame, 2023-24 LV 24
Johanna Goodman, Still Life in Air Conditioning No. 1, 36” x 24”, archival pigment Giclee print on archival matte artist’s paper
Johanna Goodman, Still Life in Air Conditioning No. 2, 36” x 24”, archival pigment Giclee print on archival matte artist’s paper
Johanna Goodman, Still Life in Air Conditioning No. 3, 36” x 24”, archival pigment Giclee print on archival matte artist’s paper
Johanna Goodman, The Catalog of Imaginary Beings / Plate No. 546, 10” x 8", collage on Masonite
Johanna Goodman, The Catalog of Imaginary Beings / Plate No. 552, 18” x 12”, collage on archival paper
Johanna Goodman, The Catalog of Imaginary Beings, Plate No. 594, 36” x 24”, archival pigment Giclee print on archival matte artist’s paper
Karim Hamid, Lust Conundrum, 11" x 11" (framed size), mixed media photo collage, 2023
Karim Hamid, Forced Labour (Reversed), 11" x 11" (framed size), mixed media photo collage, 2023
Karim Hamid, Forced Labour (Reversed Twice), 11" x 11" (framed size), mixed media photo collage, 2023
Karim Hamid, She Loves Me, She Loves Me Not, 11" x 11" (framed size), mixed media photo collage, 2023
Karim Hamid, Simple Pleasures, 11" x 11" (framed size), mixed media photo collage, 2023
Karim Hamid, Simple Pleasures 2, 11" x 11" (framed size), mixed media photo collage, 2023
Philip Kuznicki, Sudden Change in the Wind, 16” x 20”, mixed media collage, 2025
Philip Kuznicki, Nocturne, 65” x 24”, mixed media, 2025
Philip Kuznicki, Cold Water, 20”x 16", mixed media collage, 2025
Michael James Oatman, Torch Song 33” x 27” (framed dimensions) Antique book cuttings on paper with wallpaper and varnish
Michael James Oatman, The Invention of the Wheel and/or Fire, 24" x 30" (framed dimensions), collage on paper
Daylight Savings, 84" x 48", collage on paper in a custom frame made by the artist’s father, Gordon Oatman (1937-2018)
Jeff Quinn, Sweet Pear, 15" x 15" x 15", oil on panel with objects, 2025
Jeff Quinn, Untitled no. 1, 10" x 8" (framed dimensions), oil and collage on panel, 2025
Jeff Quinn, Untitled no. 2, 10" x 8" (framed dimensions), oil and collage on panel / SOLD
Jeff Quinn, Untitled no. 3, 10" x 8" (framed dimensions), oil and collage on panel / SOLD
Jeff Quinn, Untitled no. 4, 10" x 8" (framed dimensions), oil and collage on panel
Jeff Quinn, Untitled no. 5, 10" x 8" (framed dimensions), oil and collage on panel / SOLD
Jeff Quinn, Untitled no. 6, 10" x 8" (framed dimensions), oil and collage on panel
Rodger Stevens, Double Voice Bubble, 9” x 7”, cut paper on pine, 2025
Rodger Stevens, Family Portrait #986, 8” x 8” x 1”, cut paper on pine, 2025
Rodger Stevens, A Perfect Day in the Pond, 9” x 6” x 1”, cut paper on pine, 2025
Rodger Stevens, Hypnogogia, 11” x 12” x ¼”, cut paper on panel
Rodger Stevens, Too Late Arrived So Early, 9” x 8” x ½”, cut paper on panel
Werner Sun and Melissa Zarem, Traces of Our Internal Geometries, 84” h x 48”w x 48”d, mixed media, 2025
Werner Sun, Rose Window 42, 8" x 8" x 1.5" archival inkjet print and acrylic on board, 2024
Werner Sun, Rose Window 46, 6" x 6" x 1.5" archival inkjet print and acrylic on board, 2025
Werner Sun, Rose Window 47, 6" x 6" x 1.5" archival inkjet print and acrylic on board, 2025
Melissa Zarem, Biased Edge : At Home, 8" x 8" x 1", mixed media on panel
Melissa Zarem, Biased Edge : In Nature, 8" x 8" x 1", mixed media on panel
Melissa Zarem, Biased Edge : In A Crowd, 8" x 8" x 1", mixed media on panel