Skip to Content
Corners Gallery
Corners Gallery
About
Book Appointment
Call For Entries
Exhibits
Services
Shop
0
0
0
0
Corners Gallery
Corners Gallery
About
Book Appointment
Call For Entries
Exhibits
Services
Shop
About
Book Appointment
Call For Entries
Exhibits
Services
Shop
Todd Bartel, All That Part of a Picture Which is Not of the Body or Argument, 16 1/4 x 13 1/2 inches, burnished, interlocking collage, 19th-century papers, end pages, photo-transfers on end pages, Mimeograph, improperly exposed/fixed photo remnants,

Todd Bartel, All That Part of a Picture Which is Not of the Body or Argument, 16 1/4 x 13 1/2 inches, burnished, interlocking collage, 19th-century papers, end pages, photo-transfers on end pages, Mimeograph, improperly exposed/fixed photo remnants, Italian letter remnant (c. 1880), yes glue, pencil, antique cellophane tape, archival document repair tape, and dictionary definitions, 2011

Todd Bartel, Another Scapegrace Turning Point (Cole’s Erratics), 22.375 x 16.625 inches, interlocking collage; recto: rust transfer on joined 19th-century end pages, inserted xerographic faux engraving of Thomas Cole’s 1836, The Course of Empire—The

Todd Bartel, Another Scapegrace Turning Point (Cole’s Erratics), 22.375 x 16.625 inches, interlocking collage; recto: rust transfer on joined 19th-century end pages, inserted xerographic faux engraving of Thomas Cole’s 1836, The Course of Empire—The Arcadian or Pastoral State, inserted red division lines from Bridge scoresheet, xerographic prints on 21-century end page papers of the definition of “watershed” (Webster’s 1974, New Oxford Dictionary of English 1998), pencil; verso: xerographic transfers, pencil and color pencil, artist-made frame, 2025

Todd Bartel, Another Scapegrace Turning Point (Cole’s Erratics) (verso), 22.375 x 16.625 inches, interlocking collage; verso: xerographic transfers, pencil and color pencil, artist-made frame, 2025

Todd Bartel, Another Scapegrace Turning Point (Cole’s Erratics) (verso), 22.375 x 16.625 inches, interlocking collage; verso: xerographic transfers, pencil and color pencil, artist-made frame, 2025

Todd Bartel, Sublime Climate, 13 1/4 x 12 1/2 inches, burnished, interlocking collage, 19th-century papers, end pages, book engravings, dictionary definitions, photo-transfers on end pages, map graticules, yes glue, archival document repair tape, and

Todd Bartel, Sublime Climate, 13 1/4 x 12 1/2 inches, burnished, interlocking collage, 19th-century papers, end pages, book engravings, dictionary definitions, photo-transfers on end pages, map graticules, yes glue, archival document repair tape, and Alfred DeCredico’s collage remnants, 2011

Todd Bartel, Set Apart or Belonging To An Individual or A People, 23 1/2 x 11 1/4 inches, burnished, interlocking collage, 19th-century papers, end pages, photo-transfers on end pages, yes glue, gouache, pencil, archival document repair tape, book en

Todd Bartel, Set Apart or Belonging To An Individual or A People, 23 1/2 x 11 1/4 inches, burnished, interlocking collage, 19th-century papers, end pages, photo-transfers on end pages, yes glue, gouache, pencil, archival document repair tape, book engravings, and dictionary definitions, 2011

Todd Bartel, Magnificent Desolation, 19.875 x 40.5 inches, burnished interlocking collage; verso: India Ink, pen, pencil and xerographic transfer on maps, document repair tape; artist-made frame, 2023-24 
LV 24

Todd Bartel, Magnificent Desolation, 19.875 x 40.5 inches, burnished interlocking collage; verso: India Ink, pen, pencil and xerographic transfer on maps, document repair tape; artist-made frame, 2023-24 LV 24

Todd Bartel, Magnificent Desolation, 19.875 x 40.5 inches, burnished interlocking collage; verso: India Ink, pen, pencil and xerographic transfer on maps, document repair tape; artist-made frame, 2023-24
LV 24 verso

Todd Bartel, Magnificent Desolation, 19.875 x 40.5 inches, burnished interlocking collage; verso: India Ink, pen, pencil and xerographic transfer on maps, document repair tape; artist-made frame, 2023-24 LV 24 verso

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Johanna Goodman

Corners Gallery

903 Hanshaw Road Suite 101A, Ithaca NY, 14850
(607) 257 5756

HOURS: Wed - Sat 11-4

custom framing by appointment

Made with Squarespace