My work explores a sense of place through direct experience of the environment around me. I take bits and pieces of my surroundings and assemble them into imaginary environments. The work investigates the concepts of history, personal memories and everyday rituals, as well as identity and assimilation.
I am interested in the human interaction with nature evidenced by the traces of our presence left in the landscape. My work directs attention to footprints, stains, and other overlooked elements that speak of the temporal quality of the human experience. The fragmented quality of the work alludes to the constant shifts that occur in memory and history.
My recent projects, both individual and collaborative, are explorations of the ambiguity and subtlety of layered imagery and shadows. I am also interested in the transformation of a static work as result of light and projected video . My collaborative practice currently explores the relation of drawing to digital photography and video work.
Masha Ryskin is a printmaker, painter, and installation artist. Her work has been exhibited nationally and internationally. A political refugee from the Soviet Union, she received a classical education in painting before earning a BFA in printmaking at Rhode Island School of Design and an MFA at University of Michigan. She has participated in a number of artist residencies world-wide. Ryskin is also a recipient of numerous grants, including a Fulbright Fellowship to Oslo, Norway and the Rhode Island Fellowship in Printmaking and Drawing. She collaborates with Serge Marchetta, a mixed-media artist from Montreal, on drawings and installations. Together, they exhibited in Montreal, Providence, Trondheim, Norway, and Maitland, Fl.
Ryskin is currently on the faculty at Rhode Island School of Design.