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Watergilded gold leaf frame, suede mat,
over white rag mat with hand applied gold line

Turning Point - an etching by Jo Barry
Contemporary style Italian gold frame with double mat

Patchwork Kitty, watercolor by Katie Hazen
Natural cherry frame with
hand-wrapped linen liner and gold filet

Last Light - an oil painting on canvas by Joyce Huntington
Arts and Crafts style
mission oak frame with double mat

Cape Cod Cottage - a giclée print by Yvonne Piburn
Italian gold leaf frame,
triple mat and gold filet

Purple Iris, a giclée print by Susan Bull Riley
Italian antiqued gold frame and deep bevel mat

The Lovers - a giclée print by Anthony Taber
Shadowboxes for mementos, heirlooms, jerseys,
collections, medals, and awards

We have years of experience with all types of needleworks
whether your piece needs blocking, stretching and/or lacing

Beveled mirrors available up to 40 x 60 inches
decorative mouldings up to 5 inches in width available

A closed corner gold leaf frame with panel

Old Oak, acrylic on panel by George Rhoads
Glazing Options — There are many types of glazing available for your frame. Typically, Conservation Glass is recommended for works on paper. It is manufactured with a coating which blocks UV light. This helps prevent fading of weak inks commonly used in posters and prints. It also helps keep the paper itself from deteriorating.
Nonglare Glass is etched on one side to diffuse reflected light. It is effective in preventing glare, but it does somewhat blur the image. It is available with or without the UV filter.
Anti-Reflective (AR) glass is manufactured with a coating which greatly diminishes reflections, and does NOT blur the image.
Museum Glass is manufactured with BOTH a conservation coating and an anti-reflective coating.
Acrylic (plexiglass) is recommended for large (over 36 x 48) works, or anything you plan to ship. It is available in regular clear, non-glare, conservation (uv filter), conservation non-glare, and a Museum grade which is anti reflective (but not blurry) uv filtering, anti-static, and scratch resistant.
NOTE: When dealing with acrylic, the abbreviation AR can mean abrasion resistant, rather than anti-reflective. Acrylic should not be used with pastel or charcoal drawings, because it's inherent static charge will lift the pastel dust off the paper.
If your artwork is oil or acrylic on canvas or board, glazing is not recommended.